Freehand sketching as a catalyst for developing concept driven competencies.
Abstract
At a time when concept driven competencies are perceived to be critical in redefining
effective technological education, the introduction of Design and Communication
Graphics at senior cycle in Irish high schools has broad implications. Students now
have the potential to explore applied geometries, integrated with conceptual thinking
in addition to developing essential communication skills. As a result, freehand
sketching has become an integral facet of all technological subjects.
Action research currently being carried out at the University of Limerick aims to
identify a sustainable intervention strategy for the development of concept driven
competencies in students of technological education. Core to this is the development
of student’s ability to freehand sketch what is both perceived and conceptualised.
This paper presents findings of an intervention strategy carried out with a cohort of
124 pre-service teachers of technology education. The study develops participant’s
ability to engage in higher order symphonic cognition as well as the harmonisation of
fundamental communication skills through the medium of freehand sketching.
The approach for the research followed a five phase intervention strategy. An initial
pre-instruction covariant exercise was used to measure participants overall
communication ability together with their capacity to engage in higher order thinking.
Stage one, two and three developed the aptitudes of recognition, enquiry and synthesis
through the use of both regular and non-regular geometry embedded in dual purpose
activities. Stage four, moving towards conceptualisation, employed a comparative
photographic composition as a measure of students previously perceived composition.
The final stage centred on an organic composition derived by the students that
outlined their ability not only to communicate but also present symphonic aptitudes.
The key findings for this paper are significant in terms of developing a sustainable
strategy for teaching freehand sketching in Irish high schools. Instantaneous
improvement resulted in participants developing an intrinsic motivation to develop
their skills and engage in the activities as autonomous learners. An innovative
pedagogical strategy was applied. This facilitated a cohort of thirty participants and
incorporated Pareto’s Law and the 80/20 Principle. The concept of realising and
developing personal styles in the communication of compositions was a novel finding
of the research. Relationships between metacognition and sketching competencies are
discussed with implications for the exploration and development of complex solutions
in plane and descriptive geometry.
The paper concludes by highlighting the value of freehand sketching in developing
symphonic design capabilities, the implications of this skill in terms of transferability
and access of the physical symbol system present in the cognitive architecture.
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